Intervals on the guitar
INTERVALS
Intervals
are important in music and they are the basics for chord and scale
construction. An interval is the difference in pitch between one note and
another. Intervals can be either designated melodic or harmonic. A melodic
interval is when notes are played in a melody (unsurprisingly lol), and
harmonic intervals are notes that are played at the same time eg. a chord,
double-stop, etc.
Ok, so
what harmonic and melodic Intervals do I need to know?
Good
question, thank you for that. I will endeavour to answer it, (mmm clears
throat…)
Wow, that
looks confusing.. This may be easier
How do they sound?
Ascending Intervals
Chords and Intervals
As we are now aware, when we play
notes together we are producing a harmonic interval. When these intervals are
stacked together as on the diagram, we are playing a chord, there is a school
of thought that says three notes must be played together to sound a chord. Technically,
this is correct. However, on a guitar two notes played together is called a diad
and there are many examples of this, All Right Now by Free has Paul Kossoff
playing diads throughout the song, and it sounds great. What tends to happen is
that a chord is implied without playing the full chord. Or, if you read the
article contained within my blog about Paul Kossoff, chords may be left without
a major or minor feel to them. A major chord would contain the ‘root’ note (first note of assocaiated chord) plus
the major 3rd and the perfect 5th. A minor chord would
contain the ‘root’ note plus the minor 3rd and the perfect 5th. The reason a guitarist may play without a 3rd
is so that the other musicians in the band can play around with the music
without any restriction on playing in major, or minor keys.
This shows that by placing your finger on the G# note, the E Minor chord is changed to a E Major
chord. The note of G# is the
major 3rd note in the scale of E major.
Brief Intro to Scales and Chord Construction
So, you can see that by stacking notes together harmonically* (see below), you will make
chords. As previously explained, a major 3rd or minor 3rd
note, (along with the root note and the perfect 5th note), has the
effect of changing the chord from major to minor. There are two other chord
types you must be aware of – these are Augmented (Aug) chords and Diminished (Dim)
chords. It may be easier to see this on a piano keyboard as the notes can be
seen easier with the combination of black and white keys.
C Major 1-3-5 C-E-G
C Minor 1- Æ„3-5 C-EÆ„-G
C Aug 1-3
-#5 C-E-G#
C Dim 1- Æ„3- Æ„5
C-EÆ„-GÆ„
One final short point is
about ‘diatonic harmony’ and ‘modes’. Diatonic
harmony in music is produced by playing notes from the seven notes within a
major or minor scale. So, again in the above example of a C major scale, a song
using only the notes of this scale would be diatonic encompassing the notes of
the C major scale.
Chords in
diatonic harmony are generated from the major and minor scales by
constructing triads on
each of the diatonic scale degrees. Scale degrees and triads are identified by
the same names, and triads may be represented by roman numerals. The seven
names are (I) tonic,
(II) supertonic, (III) mediant, (IV) subdominant, (V) dominant, (VI) submediant,
and (VII) leading tone.
On each note in a major or
minor scale we can build three-note chords, or triads by adding two more notes
(on top of the "scale-note"); each an interval of
a third apart:
*
Diatonic Harmony in a C
major Scale
These chords are
named Diatonic, since they are using the notes through [Dia-]
the scale.
Chord progressions using
notes not belonging in that scale, are instead called Chromatic Harmony.
Guitar Notes Master https://7b804ilfrf2mam7fro-pye5r5d.hop.clickbank.net/
Please look out for another post where I will explain further about chord construction, modes, scales. This article hopefully will just whet your appetite and should be easy to digest...get it? appetite, easy to digest - oh, forget it. Anyway, as always, please subscribe, comment, squeeze your lemon and fall right out of bed..Cheers
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